On the evening of October 27, 2026, Cipriani South Street in New York City hosted the annual WWD Honors, celebrating the best in fashion and beauty. VRGyani News watched closely as the red carpet turned into a stage for elevated tailoring, intentional deconstruction, and personal style statements. Tracee Ellis Ross and Michelle Monaghan delivered two of the evening’s most talked-about looks, each reflecting both the honorees of the night and the current direction of red-carpet dressing.
VRGyani News has long tracked how industry awards nights often produce some of the most wearable yet striking celebrity fashion moments of the season. This year’s event, which also coincided with WWD’s Apparel and Retail CEO Summit, drew a mix of designers, executives, and actors. Bernard Arnault received the John B. Fairchild Honor, Michael Rider of Celine was named Menswear Designer of the Year, and Haider Ackermann of Tom Ford took Womenswear Designer of the Year. Against that backdrop, the red carpet offered a living preview of the collections and ideas being recognized.
Michelle Monaghan’s Deconstructed Altuzarra Moment
Michelle Monaghan arrived in look 37 from Joseph Altuzarra’s spring 2027 collection. The sleeveless black midi featured a deep V-neck that opened into a sheer nude panel running down the center, scattered with delicate floral embellishments. Frayed, uneven edges along the opening and a front slit gave the dress a deliberately unfinished quality, while the fitted silhouette ended just below the knee. She paired it with black open-toe heels and oversized floral statement earrings in white, black, and green tones.
“It’s a little deconstructed, but she’s embellished, so I’m really into it,” Monaghan told WWD on the carpet. She chose a sleek, tight bun specifically to let the earrings stand out and kept her makeup clean and classic, deliberately avoiding the bleached-brow trend that has circulated in recent seasons. The look aligned with Altuzarra’s spring 2027 exploration of punk-tinged femininity and the contrast between structured outer fabrics and revealed lingerie-like details.
Monaghan, known for her work in The White Lotus, was also on hand to present the Beauty Company of the Year award. Her choice of a deconstructed yet embellished dress felt particularly fitting for an evening that mixed creative risk with commercial recognition. The garment photographed beautifully under the flash of the step-and-repeat, proving that intentional imperfection can still read as polished on a formal carpet.
Tracee Ellis Ross in Celine Satin and Signature Curls
Tracee Ellis Ross attended as both actress and beauty entrepreneur. She presented Ulta Beauty with the Public Beauty Company of the Year award and made a point of noting her dual role. “I am here showing up for my wonderful retail partner, Ulta,” she told WWD. “They are our premiere retail partner, so I’m here as a CEO.”
Ross wore an ivory satin ensemble from Celine’s fall 2026 ready-to-wear collection, designed by Michael Rider, who was himself honored that night as Menswear Designer of the Year. The look consisted of a collared jacket and fluid wide-leg trousers, with a coordinating coat draped over her shoulders at points during the evening. She paired the tailoring with a bold red lip and the voluminous, tightly curled hairstyle she usually reserves for Pattern Beauty campaigns.
“I usually save it for Pattern shoots,” she said of the rounded, shoulder-grazing curls. The choice felt both personal and strategic: Pattern Beauty, which she founded in 2019, has expanded into body care and new markets, and Ulta remains a key partner. The matching red lips she shared with Ulta CEO Kecia Steelman became a small, unplanned moment of coordination that underscored the evening’s blend of business and beauty.
Context of the 2026 WWD Honors
The event took place at Cipriani South Street on October 27. In addition to the major design and leadership honors, attendees included Chloe Fineman, Adrien Brody with Georgina Chapman, Coco Rocha, Helena Christensen, Louisa Jacobson, and others. The mix of established names and emerging talent reflected WWD’s dual focus on industry impact and cultural visibility.
Other notable looks included vintage Roberto Cavalli (Lucy Freyer in a 2004 piece), strong tailoring, and satin silhouettes that photographed cleanly against the dark step-and-repeat. The overall mood favored clothes that felt considered rather than purely theatrical—an approach that suits an evening built around both creative awards and CEO-level conversations.
Why These Looks Matter Now
Ross’s Celine satin set and Monaghan’s Altuzarra deconstruction sit at two ends of a current red-carpet spectrum. One offers polished, fluid tailoring that translates easily from awards night to daytime dressing. The other experiments with exposed construction and sheer panels while remaining wearable and camera-friendly. Together they illustrate how celebrity style on industry-focused carpets often bridges the gap between runway experimentation and real-life elegance.
For readers following both celebrity dressing and the business of beauty and fashion, the evening provided a useful snapshot. Ross’s presence reinforced the growing power of founder-led beauty brands at major industry gatherings, while Monaghan’s choice highlighted the continued appetite for thoughtful deconstruction on the red carpet. VRGyani News will continue tracking how these ideas move from awards nights into broader seasonal dressing.
The 2026 WWD Honors once again proved that the most compelling celebrity fashion moments often happen when personal style, designer collaboration, and industry recognition align. From the ivory satin of Celine to the frayed edges of Altuzarra, the night offered fresh references for anyone interested in the current language of elevated dressing.
Watch related coverage of the 2026 WWD Honors red carpet here
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