In contemporary crime screen stories, we are obsessed with the psychological justifications of the criminal's heinous actions beyond a quaint desire for "motive." This search for meaning and purpose powers these programs' narrative engines in works varying from prestigious (Mindhunter) to populist (Criminal Minds) to somewhere in between (The Sinner). Why, why, why — we need to know this almost more than our needs to know the more traditional journalistic questions powering a mystery. Who's and what's and where's are antiquated; the real acclaimed stuff comes with that meaty why.
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